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Notes from
the studio

Essays on living with the things you love, the art of the gallery wall, paint, downsizing, and what it really takes to make a house feel like yours.

Gallery wall of blue-and-white plates and shadow boxes with miniature vessels above a sideboard

The art of the gallery wall

A gallery wall is not a collection of frames thrown at a wall. It is an edited story, hung with intention. Start with the piece you cannot stop thinking about — the one that anchors everything — and build outward, mixing sizes and leaving more breathing room than feels comfortable.

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Great room with navy sofa, slipcovered chairs, and a warm layered rug

Why paint changes everything

Of everything I do, paint has the highest ratio of impact to cost. It is the single change most likely to make a room feel completely new. And yet it is the one clients are most afraid of.

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“The most beautiful homes aren't the ones that look the most expensive. They're the ones that feel unmistakably like the people who live in them.”
— The Alexander Redesign philosophy
A downsized bedroom transformed with sage botanical wallpaper and a curated family photo wall

Downsizing without losing yourself

Downsizing is the project I am asked about most, and the one that tugs at me most. The fear is always the same: that a smaller space means leaving yourself behind. It does not have to.

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Arched display bookcase filled with Snoopy figurines, plush toys, and Peanuts books

A room of your own

A collection that has spent thirty years in a box is not a collection. It is an archive. The day you give it a room — or even a shelf — it becomes a story again.

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Layered living room with textured rugs, brass accents, and a mix of natural materials

Light, layered, lived-in

A room that looks good in a photograph but feels cold to sit in has failed. Warmth comes from layering — a rug over a rug, a throw where someone actually reads, a lamp that casts a low pool of light in the evening instead of relying on a single overhead.

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